Alaere Benson is your typical modern, professional woman in search of that elusive work-life balance and societal acceptance in Lagos. When she gets a job at Criole, she is excited to be working for a multinational company, but it does not take long for her to see that Criole is dysfunctional and bears an eerie similarity to Nigeria. As she struggles to find her footing in her new role, she witnesses a never-ending theatre of murder, sexual harassment and mysticism.

Even if you do not have a clue about about NYSC, you will discover in this entirely relatable story what can happen when one person ventures into the amazing, challenging unknown – and the strange adventure that unfolds.

From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father.

Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.

In this extended essay, which originated in a New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the

Try not to Say It’s Not Your Country is loaded up with intriguing characters: a South African lady and her kids swarming an iron shack in Blikkiesdorp;

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun.

Americanah and We Should All Be Feminists comes a powerful new statement about feminism today–written as a letter to a friend.

A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie’s letter of response.

Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighborhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favor among the ruling elite.

But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be.

In “When Ravens Become Flowers,” there is a lot of mirth and singing to celebrate the verses. Themes such as despair, trauma, loss, and grief are all present in the collection. The poems in this book demonstrate the fluid spectrum of human emotions, such as uncertainty, which leads to pain and misery, till they become triggers of anxiety. We also see the social effect of bigotry and institutionalized prejudice, which is often designed to silence us.

Winner of the 2009 NOMA Award for Publishing in Africa

From Zamfara up north to the Niger delta down south, with a finale in Lagos, this collection of stories and a novella respond to and amplify the newspaper headlines in a range of Nigerian voices.

EXCUSE ME! is a collection of humorous essays and keen observations about being Nigerian by Victor Ehikhamenor. Touching on politics, love, immigration, as well as other broad subjects, the book successfully weaves a satirical narrative around contemporary African experience.