In a post-apocalyptic Africa, the world has changed. In one region, a woman who had been violated by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to a baby girl with hair the colour of sand. Certain that her daughter is special, she names her Onyesonwu, which means “Who fears death” in an ancient language.
Onye soon understands that she is marked by circumstances of her conception. She is Ewu–a child of rape who is expected to live a life of violence, a half-breed. But Onye is not the average Ewu. Even as a child, she manifests the beginnings of a remarkable and unique magic.

Rachel’s Hope picks up from Rachel’s Diary, after she is confronted with the truth about her husband…or is it? Rachel’s not sure about a lot of things anymore, but she’s sure of one; God loves her. In that, she has hope. Through the challenges of her marriage, a dream is birthed. Rachel discovers that she is well-positioned to help other women in need and seizes the opportunity with both hands. By providence, she meets Isaiah, a widower with a little girl, who loves God and, as she later discovers, loves her too. Rachel finds herself confronted with another choice to make.

In this contemporary Christian novel, readers would see how love and faith erode with promises not kept and understand that no matter how far we run away from our problems, it’s impossible to hide from God’s presence

Best mates Karl and Abu are both 17 and live near Kings Cross. It’s 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local ‘wannabe’ thugs just for being different.

When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he’s never known.

Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world. Increasingly distant from happenings in London, Karl falls headlong for Nakale’s feisty cousin, Janoma.

Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself caught up in its midst, leading to a tragedy that forces Karl to race back home.

Try not to Say It’s Not Your Country is loaded up with intriguing characters: a South African lady and her kids swarming an iron shack in Blikkiesdorp;

We all were destined to contribute. God planted the seed of enormity in each and everybody of us, and preparing and building up this seed is the establishment for our definitive satisfaction throughout everyday life. The certainties contained in this book are the center standards and thoughts that will enable the peruser to build up an all-encompassing picture of the stuff to breath life into their enormity.

Two boys venture into a nearby forest, to hunt for bats and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly.

In a series of moving snapshots, Véronique Tadjo illustrates the terrible extent of the West African Ebola epidemic of 2014, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent; the student who volunteers to work as a gravedigger while universities are closed; the grandmother who agrees to take in an orphaned boy cast out of his village. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.

Winner of the 2009 NOMA Award for Publishing in Africa

From Zamfara up north to the Niger delta down south, with a finale in Lagos, this collection of stories and a novella respond to and amplify the newspaper headlines in a range of Nigerian voices.

At thirty-nine, Deola Bello, a Nigerian expatriate in London, is dissatisfied with being single and working overseas. Deola works as a financial reviewer for an international charity, and when her job takes her back to Nigeria in time for her father’s five-year memorial service, she finds herself turning her scrutiny inward. In Nigeria, Deola encounters changes in her family and in the urban landscape of her home, and new acquaintances who offer unexpected possibilities. Deola’s journey is as much about evading others’ expectations to get to the heart of her frustration as it is about exposing the differences between foreign images of Africa and the realities of contemporary Nigerian life.

“Been watching you.” He let the smoke out of his mouth as he spoke.
“Judging from the way you guzzled those bottles, i can tell you need a life coach.”
“I can make you rich. Richer than you’ve ever imagined.”

Disowned is a collection of five short stories told in the first person singular by five fictitious Nigerian women who recount their personal experiences in their own voices. Each character?s personality is revealed in the way she tells her story and the way she lets her experience affect her.
The book addresses socio-cultural issues ranging from Sexual Abuse/Child Molestation, Prostitution, Childlessness, Widowhood, Domestic Violence to Infidelity faced by the Nigerian woman, openly or secretly.

EXCUSE ME! is a collection of humorous essays and keen observations about being Nigerian by Victor Ehikhamenor. Touching on politics, love, immigration, as well as other broad subjects, the book successfully weaves a satirical narrative around contemporary African experience.

Towering above them is the story of Ummi al-Qassim, a princess of Bolewa, and the feud that attended her love?first for a nobleman, then for a poet?a feud that bequeaths her with madness and death. All four are bracketed by the modern city of Jos in Central Nigeria, where political supremacy and perverse parental love become motives for an ethno-religious eruption calculated to destroy the Nigerian State.