Dami Ajayi’s second volume of poems, A Woman’s Body is a Country, interrogates the ramifications of affection. A work of impressive artistry, these are poems of life turned inside out, where time cheats on writers, and the people and things at the brunt end of our oppressive pleasures come back to haunt us.

In his engrossing collection, poet Logan February documents and interrogates grief, and God, and examines what it is to be on the outside, even in the family setting–the reality of having a queer identity in the African world. In this volume, eroticism and manic depression are navigated alone.

?Oruh?s work impresses upon the reader an openness, an untrammeled bluntness against oppressors of social and economic imbalances in an age where the young is lost in his voyage across the gulf of defining the meaning of life in Nigeria,? said the statement.

Could it be that global events have aligned to fit a particular purpose . . . for such a time as this?

Hadassah s eyes widened, as she fought back the tears. Do you have in mind a name for me then? She loved this man dearly. Esther.

The arrival of a second wife causes a woman to reassess her marriage… Another faces up to tough choices in the wake of a military coup… A heroine from history lights the path for a modern girl on the road to Jenwi… A picture on a wall tells its own poignant story of sacrifice… A former cultist must confront an unspoken secret in his family…
From Nigeria to the Diaspora, joy, sadness, anxieties and triumphs fill the canvas with lush, vivid colours. Themes of loss and longing, past and present, home and away, mysticism and modernity, trauma and healing, truth and lies, masculinity and a woman?s place ? all are deftly explored in this mesmerising, sometimes devastating collection of short stories.

FC Newsday reporter, Zack Liman, is murdered by government agents in Tinland when he finds something sinister lurking beneath law and order.

A major new study of what the Bible teaches about the future.

Ranging back and forth between satire, metaphor and stark realism, Ngugi unfolds a tangible landscape both beautiful and horrfying, as tribalism and village life are manipulated in the name of progress by the cynical bureaucrats.

Michael Owoyemi is about to close a multi-million dollar business deal on behalf of his demanding employer. On the Monday morning scheduled for the closure of the deal, Biola Owoyemi, his usually reserved wife, physically restrains him from leaving their Ibadan home, insisting that he must stay at home to protect her and their first and only child, their two-month old son, from unnamed forces keen on snatching their child away from them.