Grant winning creator Helon Habila has been portrayed as “a valiant storyteller with an inflexible vision… a noteworthy ability” (Rawi Hage). His new novel Travellers is a groundbreaking experience with the individuals who have been evacuated by war or yearning, dread or expectation.

A Nigerian alumni understudy who has made his home in America recognizes striking out for new shores. At the point when his significant other suggests that he go with her to Berlin, where she has been granted a renowned expressions association, he has his reservations: “I realized each flight is a passing, every arrival a resurrection. Most changes happen impromptu, and they generally leave a scar.”

In Berlin, Habila’s focal character winds up tossed into contact with a network of African settlers and outcasts whose lives recently appeared to be far off from his own, however, to which he is progressively drawn. The dividers between his favored, secure presence and the narratives of these different Africans moving before long disintegrate, and his feeling of character starts to break up as he finds that he can never again isolate himself from others’ repulsions, or from Africa.

Adaobi brings her years of journalistic endeavour to bear in this gripping story of woe, abuse and admirable fortitude; of a young girl whose dreams of a university education facilitated by a prestigious scholarship, is shattered when Boko Haram Terrorists attack her village and take her and other women captive after killing her brothers and father among others. This is a well-spun tale that traces the experiences of the women in the hands of the terrorists.

Whispers is a collection of poems of two sparring protagonists who are trying to out-do one another, share experiences and growth.

In these poems, Richard Ali presents his life as a patient on a surgeon’s table and there are no, have been no themes, to his life, as these poems reveal. There have been only a series of glances, his eye resting on this or that, his poems becoming points of emphasis, seeking to undress and pare away adjective and lie alike.

More Than A Miracle is Chinwe Ezeanya’s account of her son Dike’s life from conception to his first twenty-two months of life when he returned home after having a liver transplant. This is a story of trials and triumphs, faith, hope and love. Chinwe Ezeanya tells how she held on to faith as she encountered numerous revelations, confirmations and miracles whilst she struggled against all odds to save her only son.

?Oruh?s work impresses upon the reader an openness, an untrammeled bluntness against oppressors of social and economic imbalances in an age where the young is lost in his voyage across the gulf of defining the meaning of life in Nigeria,? said the statement.

Disowned is a collection of five short stories told in the first person singular by five fictitious Nigerian women who recount their personal experiences in their own voices. Each character?s personality is revealed in the way she tells her story and the way she lets her experience affect her.
The book addresses socio-cultural issues ranging from Sexual Abuse/Child Molestation, Prostitution, Childlessness, Widowhood, Domestic Violence to Infidelity faced by the Nigerian woman, openly or secretly.

Hortensia James and Marion Agostino are neighbours. One is black, one white. Both are successful women with impressive careers.

Square Pegs is an American sitcom that aired on CBS during the 1982?1983 season.

The title of this collection of poems captures the conflicts of the artist in a millennial age

Sabato Rabato aka Soni Dike is a Lagos big boy; a criminal turned grandee, with a beautiful wife, a sea-side mansion and a questionable fortune. Then one day he disappears and his car is found in a ditch, music blaring from the speakers.

This is a compelling narrative, not only about the onslaughts of cancer but of the courage required to face it.