In Adoria, a small village, a farmer lives a half existence, nameless and waiting for death when a knock on his door changes his life forever. Salem, the girl with a past just as dark as his own slowly renews his will to live. Through her eyes, he sees the world anew, a land filled with possibility and adventure.

Born in war-torn Liberia, Ma Kemah George has had a series of bad luck in the course of her young life. Among other troubles, she was molested as a child and the only thing that got her through her childhood sane was her best friend, Vincent, who later became her fiancé. Then he died a month after their engagement, and she had to start the next chapter of her life alone as an international student in New York. Her plan was simple. Get over her dead fiancé while getting a master’s degree in the USA. But during her first thirty minutes in the land of the free, she supposedly became engaged to America’s beloved baseball star, Warren McAllister. Now Twitter is going crazy with #whoisMaKemah?

Remi Coker and Nnamdi Okonkwo leave the shores of Nigeria full of hope in search of greener pastures in London. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria.

From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father.

Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.

In this extended essay, which originated in a New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the

Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighborhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favor among the ruling elite.

But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be.

A collection of twelve short stories.

As first son and graduate, Kingsley Ibe has a load of responsibilities resting on his skinny shoulders. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola his girlfriend, the sugar in Kingsley’s tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price.

Condition -Very good

Speaking and Singing: (papers and Poems)

Collected Plays

A new novel from the winner of the Wole Soyinka Prize for African Literature
It is the mid-1980s in Lagos, Nigeria, and the government’s War against Indiscipline is in full operation. Amid poverty and tight rules and regulations, women especially must sacrifice dignity and safety in order to find work and peace. Tolani Ajao is a secretary working at Federal Community Bank.

Lagos, January 1976, six years after the Nigerian Civil War. A new military regime has been in power for six months, but rumours are spreading that a counter-coup is imminent. At an art exhibition in the affluent Ikoyi neighbourhood, Remi Lawal, a Nigerian woman who runs her own greeting-card shop, meets Frances Cooke, who introduces herself as an American art dealer, in Nigeria to buy rare beads. They become friends and over the next few weeks confide in each other about their aspirations, loyalties, marriage, motherhood – and Nigeria itself, as hospitable Remi welcomes the enigmatic Frances into her world. Remi’s husband, Tunde, naturally suspects Frances – like any American in Lagos – of gathering intelligence for the CIA, yet she is unconvinced. Cynical about the country’s unending instability, and alienated by the shallowness of the city’s elite, she willingly shares her views with Frances. But the February 13 assassination of General Muhammed prompts Remi to reconsider one particular conversation with her new acquaintance in a different light.