Now You Know Me Better is a collection of non-fictional short stories. Told in a witty, friendly voice, these stories revolve around the author’s life experiences—from being torn between the two extremes of her parents’ family backgrounds to finding her path as a young woman while dealing with loss, uncertainty, and growing into herself.

Nduka “Kaka” Kabiri’s company is in trouble. A legacy inherited from his late father, Construction Lions Limited will be liquidated after their multi-billion-dollar project in Northeastern Nigeria is seized and destroyed by terrorists.

To save his company, Kaka’s bid must win a World-Bank- sponsored rail project tender. This contract will pay off all his debt and make Kaka one of the richest men in Africa. The stakes are high, and greedy, powerful, dangerous men in the corridors of power—and some close enough to walk the corridors of his own home—will do anything to stop Kaka from winning the rail tender.

Things become dangerous for him when a beautiful seductress, Tsemaye, appears.

Folktales from Igbo land is a collection of moonlight stories, both adapted and original by the author. The book is in two parts. Part one contains stories laced with proverbs and some songs. The songs have been scored to make them accessible. At the end of each chapter is an exercise to tease the brain or act as a study guide. Part two is dedicated to the work of the NGO, Save our Heritage Initiative (SOHI). The NGO is addresses fading Igbo heritage, and is working to keep the heritage alive.

Remi Coker and Nnamdi Okonkwo leave the shores of Nigeria full of hope in search of greener pastures in London. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

When the Fog Lifts is a racy, yet intimate account of the author’s experience in a toxic marriage. Her overly protective childhood does not prepare her for the realities of life. Now caught between an emotionally abusive husband and childhood memories of a very different situation with her parents, Seme gives a brutally frank account of her experiences.

In The Condom, a wife is speechless when she finds a condom in her husband’s clothes. In their marriage, they had never used a condom, so why does her husband have one? Her reaction is that of the silent treatment for several hours, during which the husband contemplates how much he loves his wife and revisits the affair that he has been having. While he speculates on the possible actions his wife can take and the impact those would have on his life, his wife has a secret of her own. After this first story, readers will have high expectations of those to follow, with more funny twists and comical narration.

From the renowned author of The African Trilogy, a political satire about an unnamed African country navigating a path between violence and corruption

As Minister for Culture, former school teacher M. A. Nanga is a man of the people, as cynical as he is charming, and a roguish opportunist. When Odili, an idealistic young teacher, visits his former instructor at the ministry, the division between them is vast. But in the eat-and-let-eat atmosphere, Odili’s idealism soon collides with his lusts?and the two men’s personal and political tauntings threaten to send their country into chaos. When Odili launches a vicious campaign against his former mentor for the same seat in an election, their mutual animosity drives the country to revolution.

A poet in a new city, a linguist at Primark, a native son meeting a familiar deity in a foreign town, in books, in the faces and voices of strangers, on trains, in the histories that intersect with traumas and pleasures, in flirtations at a bank on Euston road, in food, in contemplations of space, accents, missed connections, and police shootings in Lagos; all as part of one travel experience in the time of a global pandemic. In Èṣù at the Library, Túbọ̀sún returns to his favourite tools of travelogue as a vehicle for the interrogation of memory through the limits of language.