White skin, green eyes, red hair…

Furo Wariboko ? born and bred in Lagos ? wakes up on the morning of his job interview to discover he has turned into a white man.

Wars are not easy to forestall, nor are enemies—within or without—easy to destroy.

In a world stitched together by fragile treaties and bound by the mysterious power of a super crop, the United Nations of West Africa has lived in fragile promise of peace—until it is shattered in a maelstrom of blood and smoke. For Jaka, a boy on the brink of manhood in the quiet village of Malovo, life is torn apart in an instant. War crashes down, sweeping him into a shadowy underworld ruled by forces darker than his worst nightmares.

Ebinimi, star mechanic of Kalakala Street, is a man with a hapless knack for getting in and out of trouble. Some of his troubles are self-inflicted: like his recurring entanglements in love triangles; and his unauthorised joyriding of a customer’s car which sets off a chain of dire events involving drugs, crooked politicians, and assassins. Other troubles are caused by the panorama of characters in his life, like: his sister and her dysfunctional domestic situation;

People Live Here tells of Kanulia, a 25-year-old single mother, whose quest for a better job that will help her raise her son in the post-PMS subsidy removal crises of January 2012 lands her a foreign-aid nursing work in Sana’a in the aftermath of the Yemeni Uprising, the previous year. With the cast of eccentric yet friendly coworkers from all over the world, she eases into the old city and takes in the architecture. She begins a journey of friendship, trauma and rediscovery that will bring her back to Nigeria a changed woman, even though she is initially unaware of it, it’s a change that will save lives at the crisis-stricken Northern borders of her country.

When Alaafin Abiodun Adegolu died, the Oyo Empire was in a slow decline. The provincial chiefs who helped him defeat the tyrannical Bashorun Gaa had grown in power and the Oyo chiefs were more politicians than warriors. So, when the Oyo Mesi selected a provincial prince, Aole Arogangan to ascend the throne of his fathers, they believed they had an Alaafin they could control.

Dreams and assorted nightmares is a collection of short stories about the characters in a place called Zango. Zango as described by the author is a place situated between dreams and assorted nightmares. A place where its characters would leave you laughing and crying at the same time.

Obiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna’s father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school.

As he navigates his new school’s strict hierarchy and unpredictable violence, Obiefuna both finds and hides who he truly is. Back home, his mother, Uzoamaka, must contend with the absence of her beloved son, her husband’s cryptic reasons for sending him away, and the hard truths that they’ve all been hiding from. As Nigeria teeters on the brink of criminalizing same-sex relationships, Obiefuna’s identity becomes more dangerous than ever before, and the life he wants drifts further out of reach.

Set in post-military Nigeria and culminating in the Same Sex Marriage Prohibition Act of 2013, Blessings is an elegant and exquisitely moving story that asks how to live freely in a country that forbids one’s truest self, and what it takes for love to flourish despite it all.

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.

’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation?

Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house.

Afi Tekple is a young seamstress in Ghana. She is smart; she is pretty; and she has been convinced by her mother to marry a man she does not know. Afi knows who he is, of course—Elikem is a wealthy businessman whose mother has chosen Afi in the hopes that she will distract him from his relationship with a woman his family claims is inappropriate. But Afi is not prepared for the shift her life takes when she is moved from her small hometown of Ho to live in Accra, Ghana’s gleaming capital, a place of wealth and sophistication where she has days of nothing to do but cook meals for a man who may or may not show up to eat them. She has agreed to this marriage in order to give her mother the financial security she desperately needs, and so she must see it through. Or maybe not

Moving between Somerset and Lagos over the course of two decades, This Motherless Land is a sweeping examination of identity, culture, race, and love that asks how we find belonging and whether a family’s generational wrongs can be righted.

As first son and graduate, Kingsley Ibe has a load of responsibilities resting on his skinny shoulders. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola his girlfriend, the sugar in Kingsley’s tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price.

In a village in south-east Nigeria on the brink of the Second World War, young Obi watches from a mango tree as a colonial army jeep speeds by, filled with soldiers laughing and shouting, their buttons shining in the sun. To Obi, their promise of a smart uniform and regular wages is hard to resist, especially as he has his sweetheart Rose to impress and a family to support.

Years later, when Rose falls pregnant to another man, his heart is shattered. As the Burma Campaign mounts and Obi is shipped out to fight, he is haunted by the mystery of Rose’s lover. When his identity comes to light, Obi’s devastation leads to a tragic chain of unexpected events.