One summer in the sixties, in a staid suburb south of London, nineteen-year-old Paul comes home from university and is urged by his mother to join the tennis club. There he’s partnered with Susan Macleod, a fine player who’s forty-eight, confident, witty, and married, with two nearly adult daughters. She is a warm companion, her bond with Paul immediate. And soon, inevitably, they are lovers.

Basking in the glow of one another, they set up house together in London. Decades later, Paul looks back at how they fell in love and how—gradually, relentlessly—everything fell apart. As he turns over his only story in his mind, examining it from different vantage points, he finds himself confronted with the contradictions and slips of his own memory—and the ways in which our narratives and our lives shape one another. Poignant, vivid and profound, The Only Story is a searing novel of memory, devotion, and how first love fixes a life forever.

Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent—but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own.

Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel.

Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall. . . .

Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso.

Recovering on a remote Scottish island, his peace doesn’t last long. He is pulled in to a murder inquiry by the overstretched local police. A newcomer, popular with the islanders, has died in perplexing circumstances. The community’s reactions are complicated and fragile.

It’s good to be back on the job. And when Simon returns to Lafferton, an arsonist is on the rampage and a woman whose daughter disappeared some years before is haunting the police station seeking closure. She will not let it rest, and Simon is called in to do a cold-case review.

The London winter of 1947. As cold as St Petersburg during the Revolution. The Karenins keep their vodka under the layers of snow in their suburban garden, in bottles entombed like their Russian past. But when a young Frenchwoman arrives to work as a companion to the aged ‘Monsieur Ka’ he begins to tell his story…

When Eva and Adam fall into bed one Friday night, tired and happy after drinks with friends, they have their whole lives ahead of them. But their story ends on page twelve.

Simon Amstell did his first stand-up gig at the age of 13. His parents had just divorced and puberty was confusing. Trying to be funny solved everything.

When we last saw Laurie Moran, she had recently become engaged to her show’s former host, Alex Buckley. Since then, the two have been happily planning a summer wedding and honeymoon, preparing for Alex’s confirmation to a federal judicial appointment, and searching for the perfect New York City home for their new life together.

But then Laurie is approached by Robert and Cynthia Bell, parents of Dr. Martin Bell, a famously charming and talented physician who was shot dead as he pulled into the driveway of his Greenwich Village carriage house five years ago. The Bells are sure that Martin’s disgraced and erratic wife, Kendra, carried out the murder. Determined to prove Kendra’s guilt and win custody over their grandchildren, they plead with Laurie to feature their son’s case on “Under Suspicion,” ensuring her that Kendra is willing to cooperate.

Kendra has lived under a blanket of suspicion since Martin’s death, with the tabloid media depicting her as a secretive, mentally unstable gold-digger. Laurie’s show is a chance for her to clear her name. But unbeknownst to the Bells, Kendra has already refused once before to go forward with a re-investigation of her husband’s murder, and her statements to the contrary only add to the appearance of guilt.