• The Law Is An Ass

    They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria.

  • Welcome To Lagos

    Deep in the Niger Delta, officer Chike Ameobi deserts the army and sets out on the road to Lagos. He is soon joined by a wayward private, a naive militant, a vulnerable young woman and a runaway middle-class wife. The shared goals of this unlikely group: freedom and new life.

    As they strive to find their places in the city, they become embroiled in a political scandal. Ahmed Bakare, editor of the failing Nigerian Journal, is determined to report the truth. Yet government minister Chief Sandayo will do anything to maintain his position.

  • Notes On Grief

    From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father.

    Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.

    In this extended essay, which originated in a New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the

  • Radio Sunrise

    Ifiok, a young journalist working for a public radio station in Lagos, Nigeria, aspires to always do the right thing but the odds seem to be stacked against him. Government pressures cause the funding to his radio drama to get cut off, his girlfriend leaves him when she discovers he is having an affair with an intern, and kidnappings and militancy are on the rise in the country.

  • In The Company Of Men

    Two boys venture into a nearby forest, to hunt for bats and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly.

    In a series of moving snapshots, VĂ©ronique Tadjo illustrates the terrible extent of the West African Ebola epidemic of 2014, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent; the student who volunteers to work as a gravedigger while universities are closed; the grandmother who agrees to take in an orphaned boy cast out of his village. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.

  • His Beneficence

    Gabriel was enjoying a normal childhood; well, not so normal, with his gift and all. But he was happy. Not until his father decided it was more productive to run a prayer house than the small shop of a blacksmith.

     

  • Prince of Monkeys

    Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighborhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

    Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favor among the ruling elite.

    But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be.

  • Left Field

    The journey so far has been a fair balance of both worlds, a frequent taste of two extremes. I have been bold and timid, confident and nervous in the same circumstance. I have dared many instances and I have refrained in many.

    Many times I have been down and wanted life to end, and other times I have enjoyed life and wished for more of it. I have probably cried more than most men and in other times, rejoiced more than many. In all these, one thing I can say is, life does not just happen.

    Therefore, it might be a bit unfair to hoard the experiences that have birthed answers to some questions not openly asked or topics not easily discussed.

  • Ladies Calling The Shots

    Ladies Calling The Shots profiles 16 female film and television directors in Nigeria. It recognises the contributions of these ladies to defining the filmmaking business in Nigeria. The book tries to appropriately situate Nollywood’s female directors within the canon by tracing their individual personal and professional trajectory as well as their plans for the future.

  • Fine Boys

    In his second novel, Eghosa Imasuen presents the everyday life of a Nigerian university student against the backdrop of the pro-democracy riots of the 1980s and ?90s, the lost hopes of June 12th, and the terror of the Abacha years.

  • I Do Not Come To You By Chance

    As first son and graduate, Kingsley Ibe has a load of responsibilities resting on his skinny shoulders. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola his girlfriend, the sugar in Kingsley’s tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price.

  • Secret Places

    In this contemporary Christian novel, readers would see how love and faith erode with promises not kept and understand that no matter how far we run away from our problems, it’s impossible to hide from God’s presence

  • Nnenna

    Nnenna grows up longing for love until she meets and falls in love with Tobenna. Then, she learns that love is not always far…

  • Now You Know Me Better

    Now You Know Me Better is a collection of non-fictional short stories. Told in a witty, friendly voice, these stories revolve around the author’s life experiences—from being torn between the two extremes of her parents’ family backgrounds to finding her path as a young woman while dealing with loss, uncertainty, and growing into herself.

  • Saints and Scoundrels

    “Whether writing about our despoiled environment or about social relations, Ekaete’s poems leave you deeply affected.

  • News from Home

    Winner of the 2009 NOMA Award for Publishing in Africa

    From Zamfara up north to the Niger delta down south, with a finale in Lagos, this collection of stories and a novella respond to and amplify the newspaper headlines in a range of Nigerian voices.

  • A Bit of Difference

    At thirty-nine, Deola Bello, a Nigerian expatriate in London, is dissatisfied with being single and working overseas. Deola works as a financial reviewer for an international charity, and when her job takes her back to Nigeria in time for her father’s five-year memorial service, she finds herself turning her scrutiny inward. In Nigeria, Deola encounters changes in her family and in the urban landscape of her home, and new acquaintances who offer unexpected possibilities. Deola’s journey is as much about evading others’ expectations to get to the heart of her frustration as it is about exposing the differences between foreign images of Africa and the realities of contemporary Nigerian life.

  • Swallow

    A new novel from the winner of the Wole Soyinka Prize for African Literature
    It is the mid-1980s in Lagos, Nigeria, and the government’s War against Indiscipline is in full operation. Amid poverty and tight rules and regulations, women especially must sacrifice dignity and safety in order to find work and peace. Tolani Ajao is a secretary working at Federal Community Bank.

  • The Bead Collector

    Lagos, January 1976, six years after the Nigerian Civil War. A new military regime has been in power for six months, but rumours are spreading that a counter-coup is imminent. At an art exhibition in the affluent Ikoyi neighbourhood, Remi Lawal, a Nigerian woman who runs her own greeting-card shop, meets Frances Cooke, who introduces herself as an American art dealer, in Nigeria to buy rare beads. They become friends and over the next few weeks confide in each other about their aspirations, loyalties, marriage, motherhood – and Nigeria itself, as hospitable Remi welcomes the enigmatic Frances into her world. Remi’s husband, Tunde, naturally suspects Frances – like any American in Lagos – of gathering intelligence for the CIA, yet she is unconvinced. Cynical about the country’s unending instability, and alienated by the shallowness of the city’s elite, she willingly shares her views with Frances. But the February 13 assassination of General Muhammed prompts Remi to reconsider one particular conversation with her new acquaintance in a different light.

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