Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighborhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favor among the ruling elite.

But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be.

A collection of twelve short stories.

This collection is set primarily within Nigeria, and the stories here cover varied social themes including spousal abuse, religious dogma, love, bravery, betrayal and vengeance.

In this contemporary Christian novel, readers would see how love and faith erode with promises not kept and understand that no matter how far we run away from our problems, it’s impossible to hide from God’s presence

Nnenna grows up longing for love until she meets and falls in love with Tobenna. Then, she learns that love is not always far…

Condition -Very good

Speaking and Singing: (papers and Poems)

Collected Plays

A new novel from the winner of the Wole Soyinka Prize for African Literature
It is the mid-1980s in Lagos, Nigeria, and the government’s War against Indiscipline is in full operation. Amid poverty and tight rules and regulations, women especially must sacrifice dignity and safety in order to find work and peace. Tolani Ajao is a secretary working at Federal Community Bank.

Lagos, January 1976, six years after the Nigerian Civil War. A new military regime has been in power for six months, but rumours are spreading that a counter-coup is imminent. At an art exhibition in the affluent Ikoyi neighbourhood, Remi Lawal, a Nigerian woman who runs her own greeting-card shop, meets Frances Cooke, who introduces herself as an American art dealer, in Nigeria to buy rare beads. They become friends and over the next few weeks confide in each other about their aspirations, loyalties, marriage, motherhood – and Nigeria itself, as hospitable Remi welcomes the enigmatic Frances into her world. Remi’s husband, Tunde, naturally suspects Frances – like any American in Lagos – of gathering intelligence for the CIA, yet she is unconvinced. Cynical about the country’s unending instability, and alienated by the shallowness of the city’s elite, she willingly shares her views with Frances. But the February 13 assassination of General Muhammed prompts Remi to reconsider one particular conversation with her new acquaintance in a different light.

It is a few hours to the swearing in of ministerial nominees and everyone thinks Dr. Makoji Ejembi has lost his mind, as they search for an urgent cure for him – Our Son the Minister.

Ebinimi, star mechanic of Kalakala Street, is a man with a hapless knack for getting in and out of trouble. Some of his troubles are self-inflicted: like his recurring entanglements in love triangles; and his unauthorised joyriding of a customer’s car which sets off a chain of dire events involving drugs, crooked politicians, and assassins. Other troubles are caused by the panorama of characters in his life, like: his sister and her dysfunctional domestic situation;

Ranging back and forth between satire, metaphor and stark realism, Ngugi unfolds a tangible landscape both beautiful and horrfying, as tribalism and village life are manipulated in the name of progress by the cynical bureaucrats.