Three Black women are linked in unexpected ways to the same influential white man in Stockholm as they build their new lives in the most open society run by the most private people.

Successful marketing executive Kemi Adeyemi is lured from the U.S. to Sweden by Jonny von Lundin, CEO of the nation’s largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi’s move is a last-ditch effort to reclaim her social life.

A chance meeting with Jonny in business class en route to the U.S. propels former model-turned-flight-attendant Brittany-Rae Johnson into a life of wealth, luxury, and privilege—a life she’s not sure she wants—as the object of his unhealthy obsession.

And refugee Muna Saheed, who lost her entire family, finds a job cleaning the toilets at Jonny’s office as she works to establish her residency in Sweden and, more importantly, seeks connection and a place she can call home.

Nduka “Kaka” Kabiri’s company is in trouble. A legacy inherited from his late father, Construction Lions Limited will be liquidated after their multi-billion-dollar project in Northeastern Nigeria is seized and destroyed by terrorists.

To save his company, Kaka’s bid must win a World-Bank- sponsored rail project tender. This contract will pay off all his debt and make Kaka one of the richest men in Africa. The stakes are high, and greedy, powerful, dangerous men in the corridors of power—and some close enough to walk the corridors of his own home—will do anything to stop Kaka from winning the rail tender.

Things become dangerous for him when a beautiful seductress, Tsemaye, appears.

They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria.

Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighborhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favor among the ruling elite.

But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be.

A collection of twelve short stories.

This collection is set primarily within Nigeria, and the stories here cover varied social themes including spousal abuse, religious dogma, love, bravery, betrayal and vengeance.

In this contemporary Christian novel, readers would see how love and faith erode with promises not kept and understand that no matter how far we run away from our problems, it’s impossible to hide from God’s presence

Nnenna grows up longing for love until she meets and falls in love with Tobenna. Then, she learns that love is not always far…

Condition -Very good

Speaking and Singing: (papers and Poems)

Collected Plays

A new novel from the winner of the Wole Soyinka Prize for African Literature
It is the mid-1980s in Lagos, Nigeria, and the government’s War against Indiscipline is in full operation. Amid poverty and tight rules and regulations, women especially must sacrifice dignity and safety in order to find work and peace. Tolani Ajao is a secretary working at Federal Community Bank.

Lagos, January 1976, six years after the Nigerian Civil War. A new military regime has been in power for six months, but rumours are spreading that a counter-coup is imminent. At an art exhibition in the affluent Ikoyi neighbourhood, Remi Lawal, a Nigerian woman who runs her own greeting-card shop, meets Frances Cooke, who introduces herself as an American art dealer, in Nigeria to buy rare beads. They become friends and over the next few weeks confide in each other about their aspirations, loyalties, marriage, motherhood – and Nigeria itself, as hospitable Remi welcomes the enigmatic Frances into her world. Remi’s husband, Tunde, naturally suspects Frances – like any American in Lagos – of gathering intelligence for the CIA, yet she is unconvinced. Cynical about the country’s unending instability, and alienated by the shallowness of the city’s elite, she willingly shares her views with Frances. But the February 13 assassination of General Muhammed prompts Remi to reconsider one particular conversation with her new acquaintance in a different light.