The Lambda Award-shortlisted poet’s debut, Sacrament of Bodies, was an epochal moment in Nigerian poetry, exploring masculinity and queerness.

His follow-up widens his range, taking in exile, history, slavery, colonialism and postcolonialism, and contemporary politics of identity. Its narrative of seeing and surviving the world takes us through the West African countries of Benin Republic, Togo, Burkina Faso, Mali, Ghana, Senegal, and Côte d’Ivoire.

In the stories that make up For What Are Butterflies Without Their Wings themes of loss, love, longing and loneliness all come together in one complete patchwork.

A contemporary twist on the Odyssey, An Orchestra of Minorities is narrated by the chi, or spirit of a young poultry farmer named Chinonso. His life is set off course when he sees a woman who is about to jump off a bridge. Horrified by her recklessness, he hurls two of his prized chickens off the bridge. The woman, Ndali, is stopped in her tracks.

In a post-apocalyptic Africa, the world has changed. In one region, a woman who had been violated by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to a baby girl with hair the colour of sand. Certain that her daughter is special, she names her Onyesonwu, which means “Who fears death” in an ancient language.
Onye soon understands that she is marked by circumstances of her conception. She is Ewu–a child of rape who is expected to live a life of violence, a half-breed. But Onye is not the average Ewu. Even as a child, she manifests the beginnings of a remarkable and unique magic.

What Sunny Saw in the Flames transports the reader to a magical place where nothing is quite as it seems. Born in New York, but living in Aba, Nigeria, thirteen-year-old Sunny is understandably a little lost. She is albino. Her eyes are so sensitive to the sun that she has to wait until evening to play football.

Memory is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, where she has been convicted of murder.

To the dismay of her ambitious mother, Bolanle marries into a polygamous family, where she is the fourth wife of a rich, rotund patriarch, Baba Segi. She is a graduate and therefore a great prize, but even graduates must produce children and her husband’s persistent bellyache is a sign that things are not as they should be. Bolanle is too educated for the ‘white garment conmen’ Baba Segi would usually go to for fertility advice, so he takes her to hospital to discover the cause of her barrenness.

Tourists know it as the City of Joy. For Ouled Nail dancers, Bousaada is a city of horrors.

It is 1931 when two sisters arrive in Bousaada bursting with dreams of becoming successful dancers. But the city, occupied by the ruthless French colonial army, changes their lives forever.
When they kill a soldier in self-defence, Fahima and Salima must outsmart the French Colonel who will stop at nothing to uncover the truth. The sisters are driven further into a cycle of violence with every attempt to hide their crime. Risking their lives and the lives of their loved ones, the dancers find themselves at the heart of a civilizational clash.

RUNNER-UP FOR THE 2022 ISLAND PRIZE FOR DEBUT AFRICAN NOVELS

SAND ROSES is a tale of resistance, sisterhood and the shameful past of two colliding nations. This extraordinarily immersive narrative thrusts its reader into the Algerian city of Bousaada during the 1930s and the story of the Nailiya dancers.

Can a career woman truly have it all?

Powerful marketing executive Kemi Adeyemi has finally found the man she needs, but Tobias Wikström thinks she’s the most selfish woman he has ever met for asking him to give up his life in Sweden and move to the US for her own comfort. Will Kemi be forced to stay if she wants to keep him while chipping away at her hard-earned career? As things begin to sour and challenge her relationship with Tobias, someone else moves back into the picture.

Can having it all be a gilded cage?

Looking into divorce in Sweden isn’t what former model-turned-flight attendant Brittany-Rae von Lundin anticipated. Only jointly owned assets are split evenly between couples. Brittany gave up her career and came with nothing into Jonny’s kingdom. Having had a child with him, her greatest fear for Maya includes being cut off from the resources she’s become accustomed to. With a man obsessed with a ghost, trying to get away isn’t going to be easy. And the deeper she digs into his past, the darker the secrets she unravels.

Can you run from your past to have it all?

After fleeing her home through a client to seek a new life in Sweden, Yasmiin finds love in the arms of Yagiz Çelik while carving out her own small corner. But as someone from her past forces Yasmiin to become a caretaker before she’s ready, she now must confront and move beyond her teenage history, while following her dreams of becoming a makeup artist.

Everything Is Not Enough follows the loosely intertwined and messy lives of Kemi, Brittany, and Yasmiin as they interrogate themes of place, prejudice, and patriarchy in Europe, proving—yet again—that Lola Akinmade Åkerströmis the next great voice of nuanced contemporary women’s fiction.

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.

’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation?

Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house.