Ebinimi, star mechanic of Kalakala Street, is a man with a hapless knack for getting in and out of trouble. Some of his troubles are self-inflicted: like his recurring entanglements in love triangles; and his unauthorised joyriding of a customer’s car which sets off a chain of dire events involving drugs, crooked politicians, and assassins. Other troubles are caused by the panorama of characters in his life, like: his sister and her dysfunctional domestic situation;

“We must do something to pass the time, I thought. Two women in a room, hands and feet tied.”

When Alaafin Abiodun Adegolu died, the Oyo Empire was in a slow decline. The provincial chiefs who helped him defeat the tyrannical Bashorun Gaa had grown in power and the Oyo chiefs were more politicians than warriors. So, when the Oyo Mesi selected a provincial prince, Aole Arogangan to ascend the throne of his fathers, they believed they had an Alaafin they could control.

In the Niger Delta creeks of Southern Nigeria, nine expatriates are being held hostage by militants fighting for control over the resources from their land. At the same time, a series of seemingly unconnected events rock the country.

Alex Randa, an agent of the Department of State Services, a celebrated hostage negotiator with a compelling record of successes is tasked by the president to secure the release of the hostages; and to also uncover the sponsors behind the militants. With nothing to go on but the phrase ‘Operation Raven’, her instincts, and three unlikely allies, Alex quickly learns that nothing is what it seems. Together, they must race against time to save not just the hostages but a nation on the brink of a bloody Civil War.

This collection is set primarily within Nigeria, and the stories here cover varied social themes including spousal abuse, religious dogma, love, bravery, betrayal and vengeance.

Alaere Benson is your typical modern, professional woman in search of that elusive work-life balance and societal acceptance in Lagos. When she gets a job at Criole, she is excited to be working for a multinational company, but it does not take long for her to see that Criole is dysfunctional and bears an eerie similarity to Nigeria. As she struggles to find her footing in her new role, she witnesses a never-ending theatre of murder, sexual harassment and mysticism.

Following a horrific tragedy, Tambaya leaves Kano for Accra to live with her brother, Aminu. Sadly, her dream of a new beginning is dashed when she can no longer endure the indignity she suffers at the hands of her brother’s new wife.

Tambaya returns to northern Nigeria and soon finds work as a matron in an orphanage, under the watchful eye of the ruthless Miss Scholastica.

Everyone says that Ese is the most beautiful woman in the region, but a fool. A young widow, she lives in a village, where the crops grow tall and the people are ruled over by a Chief on a white horse. She married for love, but now her husband is dead, leaving her with nothing but a market stall and a young son to feed.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun.

Hadassah s eyes widened, as she fought back the tears. Do you have in mind a name for me then? She loved this man dearly. Esther.

Like a Mule Bringing Ice Cream to the Sun Paperback ? April 11, 2017
by Sarah Ladipo Manyika (Author)

“Dr. Morayo Da Silva is one of the most memorable characters you are likely to encounter on the page ? intelligent, indomitable, author and survivor of a large life.

From the renowned author of The African Trilogy, a political satire about an unnamed African country navigating a path between violence and corruption

As Minister for Culture, former school teacher M. A. Nanga is a man of the people, as cynical as he is charming, and a roguish opportunist. When Odili, an idealistic young teacher, visits his former instructor at the ministry, the division between them is vast. But in the eat-and-let-eat atmosphere, Odili’s idealism soon collides with his lusts?and the two men’s personal and political tauntings threaten to send their country into chaos. When Odili launches a vicious campaign against his former mentor for the same seat in an election, their mutual animosity drives the country to revolution.

Face Me I Face You is a collection of poems existing at the interface of identity, class, and African culture. It holds a mirror to the working class by capturing the narrative essence and dramatized aspirations of its characters. The deployed humor fondly humanizes our modern realities and reaches beyond the tragedy of these colorful archetypes of city life.