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FACE ME I FACE YOU
Face Me I Face You is a collection of poems existing at the interface of identity, class, and African culture. It holds a mirror to the working class by capturing the narrative essence and dramatized aspirations of its characters. The deployed humor fondly humanizes our modern realities and reaches beyond the tragedy of these colorful archetypes of city life.
₦3,500 -
SAND ROSES
Tourists know it as the City of Joy. For Ouled Nail dancers, Bousaada is a city of horrors.
It is 1931 when two sisters arrive in Bousaada bursting with dreams of becoming successful dancers. But the city, occupied by the ruthless French colonial army, changes their lives forever.
When they kill a soldier in self-defence, Fahima and Salima must outsmart the French Colonel who will stop at nothing to uncover the truth. The sisters are driven further into a cycle of violence with every attempt to hide their crime. Risking their lives and the lives of their loved ones, the dancers find themselves at the heart of a civilizational clash.RUNNER-UP FOR THE 2022 ISLAND PRIZE FOR DEBUT AFRICAN NOVELS
SAND ROSES is a tale of resistance, sisterhood and the shameful past of two colliding nations. This extraordinarily immersive narrative thrusts its reader into the Algerian city of Bousaada during the 1930s and the story of the Nailiya dancers.
₦12,100 -
EVERYTHING IS NOT ENOUGH
Can a career woman truly have it all?
Powerful marketing executive Kemi Adeyemi has finally found the man she needs, but Tobias Wikström thinks she’s the most selfish woman he has ever met for asking him to give up his life in Sweden and move to the US for her own comfort. Will Kemi be forced to stay if she wants to keep him while chipping away at her hard-earned career? As things begin to sour and challenge her relationship with Tobias, someone else moves back into the picture.
Can having it all be a gilded cage?
Looking into divorce in Sweden isn’t what former model-turned-flight attendant Brittany-Rae von Lundin anticipated. Only jointly owned assets are split evenly between couples. Brittany gave up her career and came with nothing into Jonny’s kingdom. Having had a child with him, her greatest fear for Maya includes being cut off from the resources she’s become accustomed to. With a man obsessed with a ghost, trying to get away isn’t going to be easy. And the deeper she digs into his past, the darker the secrets she unravels.
Can you run from your past to have it all?
After fleeing her home through a client to seek a new life in Sweden, Yasmiin finds love in the arms of Yagiz Çelik while carving out her own small corner. But as someone from her past forces Yasmiin to become a caretaker before she’s ready, she now must confront and move beyond her teenage history, while following her dreams of becoming a makeup artist.
Everything Is Not Enough follows the loosely intertwined and messy lives of Kemi, Brittany, and Yasmiin as they interrogate themes of place, prejudice, and patriarchy in Europe, proving—yet again—that Lola Akinmade Åkerströmis the next great voice of nuanced contemporary women’s fiction.
₦12,100 -
EDGE OF HERE
Enter a world very close to our own…
One in which technology can allow you to explore an alternate love-life with a stranger.
A world where you can experience the emotions of another person through a chip implanted in your brain.
And one where you can view snippets of a distant relative’s life with a little help from your DNA.But remember: these experiences will not be without consequences . . .
In this stunning debut collection, Kelechi Okafor combines the ancient and the ultramodern to explore tales of contemporary Black womanhood, asking questions about the way we live now and offering a glimpse into our near future. Uplifting, thought-provoking, sometimes chilling, these are tales rooted in the recognisable, but not limited by the boundaries of our current reality-where truth can meet imagination and spirituality in unexpected ways.Allow yourself to be taken on a journey into worlds that are blazing with possibility, through stories that will lead you right up to the Edge of Here . . .
₦9,100 -
CROOKED SEEDS
A woman in post-apartheid South Africa confronts her family’s troubling past in this taut and daring novel about national trauma and collective guilt—from the Booker Prize–longlisted author of An Island.Cape Town, 2028. The land cracks from a years-long drought, the nearby mountains threaten to burn, and the queue for the water trucks grows ever longer.
In her crumbling corner of a public housing complex, Deidre van Deventer receives a call from the South African police. Her family home, recently reclaimed by the government, has become the scene of a criminal investigation. The remains of several bodies have just been unearthed from her land, after decades underground. Detectives pepper Deidre with questions: Was your brother a member of a pro-apartheid group in the 1990s? Is it true that he was building bombs as part of a terrorist plot?Deidre doesn’t know the answers to the detectives’ questions. All she knows is that she was denied—repeatedly—the life she felt she deserved. Overshadowed by her brother, then left behind by her daughter after she emigrated, Deidre must watch over her ageing mother and make do with government help and the fading generosity of her neighbours while the landscape around her grows more and more combustible. As alarming evidence from the investigation continues to surface, and detectives pressure her to share what she knows of her family’s disturbing past, Deidre must finally face her own shattered memories so that something better might emerge for her and her country.
In exquisitely spare prose, Karen Jennings weaves a singularly powerful novel about post-apartheid South Africa. It is an unforgettable, propulsive story of fractured families, collective guilt, the ways we become trapped in prisons of our own making, and how we can begin to break free.₦7,600 -
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GHOSTROOTS
A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.
’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation?
Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house.
₦8,600 -
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