Luke Schrock is a new and improved man after a stint in rehab, though everyone in Stoney Ridge only remembers the old Luke. They might have forgiven him, but nobody trusts him.

Amos and Fern Lapp allow Luke to live at Windmill Farm under two conditions. First, Luke must make a sincere apology to each person he’s hurt–a four-page, single-spaced list. Second, he must ask each victim of mischief to describe the damage he caused.

Simple, Luke thinks. Offering apologies is easy. But discovering the lasting effects his careless actions have caused . . . that isn’t so simple. It’s gut-wrenching.

And his list keeps growing. Izzy Miller, beautiful and frustratingly aloof, also boards at Windmill Farm. Luke’s clumsy efforts to befriend Izzy only insult and annoy her. Eager to impress, Luke sets out to prove himself to her by locating her mother. When he does, her identity sends shock waves through Stoney Ridge.

Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez.

Two girls who grow up to become women. Two friends who become something worse than enemies. In this brilliantly imagined novel, Toni Morrison tells the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. Their devotion is fierce enough to withstand bullies and the burden of a dreadful secret.

The unhappiness continued into the next generation, with the name Getty, as one journalist put it, ‘becoming synonymous for family dysfunction’. Getty’s once favourite grandson John Paul Getty III was kidnapped by the Italian mafia who cut off his ear to raise a ransom and, after a lifetime of drink and drugs, became a paraplegic. His granddaughter Aileen has AIDS. And the Getty family itself has been torn apart by litigation over their poisoned inheritance.

But did the disaster have to happen? John Pearson, who has specialized in biographies of families as varied as the Churchills, the British Royal Family, the Devonshires and the Krays, sets out to find the answer. The result, first published in 1995, is a fascinating saga of an extraordinary dynasty.

He traces much of the trouble to the bizarre character of the avaricious, sex-obsessed billionaire, J. Paul Getty himself – and demonstrates how much of his behaviour has been repeated in succeeding generations. He describes the famous kidnapping of his grandson in graphic detail, revealing how the old man’s attitude added considerably to the boy’s sufferings. And he shows how the family has coped with the latest modern scourges: drugs and AIDS.

Set in 1765 on the Caribbean islands of Grenada and Martinique, Sugar Money opens as two enslaved brothers – Emile and Lucien – are sent on an impossible mission forced upon them by their masters, a band of mendicant French monks.
The monks run hospitals in the islands and fund their ventures through farming cane sugar and distilling rum. Seven years earlier – after a series of scandals – they were ousted from Grenada by the French authorities, and had to leave their slaves behind. Despite the fact that Grenada is now under British rule, and effectively enemy territory, the monks devise an absurdly ambitious plan: they send Emile and Lucien to the island to convince the monks’ former slaves to flee British brutality and escape with them.

Having recently ended an abusive marriage, the beautiful and filthy rich Contessa Carlotta di Ponti looks to find true love on the beautiful French beaches of the Côte d’Azur. And what better place to find love than the playground of the wealthy and beautiful, the exquisite enclave of St. Tropez.

With the annual party season kicking into high gear at billionaire Harry Silver’s palatial mansion, tragedy soon strikes paradise. Among the high fashion, nude sunbathing and heavy drinking a bad oyster, a fatal wasp sting, and a faulty cliff railway have changed the mood of the party-goers. Death is in the air and these appear to be no accidents. Is there something far more sinister coming down upon the wealthy party-goers of the usually festive St. Tropez?

The gorgeous detective Gabrielle Poulpe makes it her mission to save the day, as well as the financial security of the town, and find the murderer in their midst. Otherwise, life in this sanctified corner of France could change forever. Can Gabrielle find the suspect before they strike again? St. Tropez is known as the ultimate playground of the rich and famous and thrives on the mega-money spent here, but now, it’s riddled with threats from within which is scaring everyone away…

Atop the rocky coast of Maine sits a magnificent family mansion that is home to a legend of long-lost emeralds and the Calhoun Sisters.

Headstrong Catherine Calhoun wasn’t going to let anyone take away the Towers, especially not ruthless hotel magnate Trent St James. He was too handsome, too arrogant; Trent seemed to think he could take over the building and Catherine!

Sasha Riggs is a reclusive artist, haunted by dreams and nightmares that she turns into extraordinary paintings. Her visions lead her to the Greek island of Corfu, where five others have been lured to seek the legendary fire star, part of an ancient prophecy. Sasha recognizes them, because she has drawn them: a magician, an archaeologist, a wanderer, a fighter, a loner. All on a quest. All with secrets.

A talented songwriter, Shawn Gallagher spends his days lost in reverie and wonder, oblivious to the wiles of women and the ways of the world. He claims that he’s content with his life, but his music tells a different story—one of loneliness and desperate longing…