A collection of twelve short stories.

People Live Here tells of Kanulia, a 25-year-old single mother, whose quest for a better job that will help her raise her son in the post-PMS subsidy removal crises of January 2012 lands her a foreign-aid nursing work in Sana’a in the aftermath of the Yemeni Uprising, the previous year. With the cast of eccentric yet friendly coworkers from all over the world, she eases into the old city and takes in the architecture. She begins a journey of friendship, trauma and rediscovery that will bring her back to Nigeria a changed woman, even though she is initially unaware of it, it’s a change that will save lives at the crisis-stricken Northern borders of her country.

Dreams and assorted nightmares is a collection of short stories about the characters in a place called Zango. Zango as described by the author is a place situated between dreams and assorted nightmares. A place where its characters would leave you laughing and crying at the same time.

Obiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna’s father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school.

As he navigates his new school’s strict hierarchy and unpredictable violence, Obiefuna both finds and hides who he truly is. Back home, his mother, Uzoamaka, must contend with the absence of her beloved son, her husband’s cryptic reasons for sending him away, and the hard truths that they’ve all been hiding from. As Nigeria teeters on the brink of criminalizing same-sex relationships, Obiefuna’s identity becomes more dangerous than ever before, and the life he wants drifts further out of reach.

Set in post-military Nigeria and culminating in the Same Sex Marriage Prohibition Act of 2013, Blessings is an elegant and exquisitely moving story that asks how to live freely in a country that forbids one’s truest self, and what it takes for love to flourish despite it all.

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.

’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation?

Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house.

Love at Every Sight comprises 12 chapters, each of which discusses a specific aspect of marriage and ends with a list of “Reflection Questions,” which not only assist the reader in recapping the chapter’s key concepts, but also lead them to contemplate how honest personal responses to these questions could enhance their relationships.