Ebinimi, star mechanic of Kalakala Street, is a man with a hapless knack for getting in and out of trouble. Some of his troubles are self-inflicted: like his recurring entanglements in love triangles; and his unauthorised joyriding of a customer’s car which sets off a chain of dire events involving drugs, crooked politicians, and assassins. Other troubles are caused by the panorama of characters in his life, like: his sister and her dysfunctional domestic situation;

People Live Here tells of Kanulia, a 25-year-old single mother, whose quest for a better job that will help her raise her son in the post-PMS subsidy removal crises of January 2012 lands her a foreign-aid nursing work in Sana’a in the aftermath of the Yemeni Uprising, the previous year. With the cast of eccentric yet friendly coworkers from all over the world, she eases into the old city and takes in the architecture. She begins a journey of friendship, trauma and rediscovery that will bring her back to Nigeria a changed woman, even though she is initially unaware of it, it’s a change that will save lives at the crisis-stricken Northern borders of her country.

When Alaafin Abiodun Adegolu died, the Oyo Empire was in a slow decline. The provincial chiefs who helped him defeat the tyrannical Bashorun Gaa had grown in power and the Oyo chiefs were more politicians than warriors. So, when the Oyo Mesi selected a provincial prince, Aole Arogangan to ascend the throne of his fathers, they believed they had an Alaafin they could control.

A Thousand Times On The Same Road is a story of one thousand trips around the world. Every journey, having a story to tell about it, all from the eyes of a journalist. This is the story of passion for a thankless job, near-death experiences, sex escapades, adventure, intrigues, corruption, fun, games, thrills, violence and romance. It is a book about the dark side of Nigerian football: what you do not see on your television screens, the story of the adventures while travelling down the bumpy roads of Nigeria’s highways, and the dangerous paths at night that lead to terror enclaves

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.

’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation?

Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house.

Enter a world very close to our own…
One in which technology can allow you to explore an alternate love-life with a stranger.
A world where you can experience the emotions of another person through a chip implanted in your brain.
And one where you can view snippets of a distant relative’s life with a little help from your DNA.

But remember: these experiences will not be without consequences . . .
In this stunning debut collection, Kelechi Okafor combines the ancient and the ultramodern to explore tales of contemporary Black womanhood, asking questions about the way we live now and offering a glimpse into our near future. Uplifting, thought-provoking, sometimes chilling, these are tales rooted in the recognisable, but not limited by the boundaries of our current reality-where truth can meet imagination and spirituality in unexpected ways.

Allow yourself to be taken on a journey into worlds that are blazing with possibility, through stories that will lead you right up to the Edge of Here . . .