Speaking and Singing: (papers and Poems)

Collected Plays

Winner of the 2009 NOMA Award for Publishing in Africa

From Zamfara up north to the Niger delta down south, with a finale in Lagos, this collection of stories and a novella respond to and amplify the newspaper headlines in a range of Nigerian voices.

Lagos, January 1976, six years after the Nigerian Civil War. A new military regime has been in power for six months, but rumours are spreading that a counter-coup is imminent. At an art exhibition in the affluent Ikoyi neighbourhood, Remi Lawal, a Nigerian woman who runs her own greeting-card shop, meets Frances Cooke, who introduces herself as an American art dealer, in Nigeria to buy rare beads. They become friends and over the next few weeks confide in each other about their aspirations, loyalties, marriage, motherhood – and Nigeria itself, as hospitable Remi welcomes the enigmatic Frances into her world. Remi’s husband, Tunde, naturally suspects Frances – like any American in Lagos – of gathering intelligence for the CIA, yet she is unconvinced. Cynical about the country’s unending instability, and alienated by the shallowness of the city’s elite, she willingly shares her views with Frances. But the February 13 assassination of General Muhammed prompts Remi to reconsider one particular conversation with her new acquaintance in a different light.

Dami Ajayi’s second volume of poems, A Woman’s Body is a Country, interrogates the ramifications of affection. A work of impressive artistry, these are poems of life turned inside out, where time cheats on writers, and the people and things at the brunt end of our oppressive pleasures come back to haunt us.