People Live Here tells of Kanulia, a 25-year-old single mother, whose quest for a better job that will help her raise her son in the post-PMS subsidy removal crises of January 2012 lands her a foreign-aid nursing work in Sana’a in the aftermath of the Yemeni Uprising, the previous year. With the cast of eccentric yet friendly coworkers from all over the world, she eases into the old city and takes in the architecture. She begins a journey of friendship, trauma and rediscovery that will bring her back to Nigeria a changed woman, even though she is initially unaware of it, it’s a change that will save lives at the crisis-stricken Northern borders of her country.

In Adoria, a small village, a farmer lives a half existence, nameless and waiting for death when a knock on his door changes his life forever. Salem, the girl with a past just as dark as his own slowly renews his will to live. Through her eyes, he sees the world anew, a land filled with possibility and adventure.

Born in war-torn Liberia, Ma Kemah George has had a series of bad luck in the course of her young life. Among other troubles, she was molested as a child and the only thing that got her through her childhood sane was her best friend, Vincent, who later became her fiancé. Then he died a month after their engagement, and she had to start the next chapter of her life alone as an international student in New York. Her plan was simple. Get over her dead fiancé while getting a master’s degree in the USA. But during her first thirty minutes in the land of the free, she supposedly became engaged to America’s beloved baseball star, Warren McAllister. Now Twitter is going crazy with #whoisMaKemah?

Remi Coker and Nnamdi Okonkwo leave the shores of Nigeria full of hope in search of greener pastures in London. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

Three Black women are linked in unexpected ways to the same influential white man in Stockholm as they build their new lives in the most open society run by the most private people.

Successful marketing executive Kemi Adeyemi is lured from the U.S. to Sweden by Jonny von Lundin, CEO of the nation’s largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi’s move is a last-ditch effort to reclaim her social life.

A chance meeting with Jonny in business class en route to the U.S. propels former model-turned-flight-attendant Brittany-Rae Johnson into a life of wealth, luxury, and privilege—a life she’s not sure she wants—as the object of his unhealthy obsession.

And refugee Muna Saheed, who lost her entire family, finds a job cleaning the toilets at Jonny’s office as she works to establish her residency in Sweden and, more importantly, seeks connection and a place she can call home.

They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria.

From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father.

Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.

In this extended essay, which originated in a New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the

Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighborhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favor among the ruling elite.

But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be.