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What We’re Told Not To Talk About
What do you do when you’re living on the streets and on your period? What does it feel like to have a poo after you’ve given birth? How do we learn to love our bodies again after they’ve been abused? And, how do you know if you’ve ever really orgasmed? We all have questions about our bodies but often women’s voices are silenced for being impolite or improper
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Flowers In The Attic Part 1
Such wonderful children. Such a beautiful mother. Such a lovely house. Such endless terror!
It wasn’t that she didn’t love her children. She did. But there was a fortune at stake–a fortune that would assure their later happiness if she could keep the children a secret from her dying father.
So she and her mother hid her darlings away in an unused attic.
Just for a little while.
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The 5th Horseman
It is a wild race against time as Lieutenant Lindsay Boxer and the newest member of the Women’s Murder Club, attorney Yuki Castellano, lead an investigation into a string of mysterious patient deaths-and reveal a hospital administration determined to shield its reputation at all costs.
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Purple cow
You’re either a Purple Cow or you’re not. You’re either remarkable or invisible. Make your choice. What do Apple, Starbucks, Dyson and Pret a Manger have in common? How do they achieve spectacular growth, leaving behind former tried-and-true brands to gasp their last? The old checklist of P’s used by marketers – Pricing, Promotion, Publicity – aren’t working anymore. The golden age of advertising is over. It’s time to add a new P – the Purple Cow.”Purple Cow” describes something phenomenal, something counterintuitive and exciting and flat-out unbelievable. In his new bestseller, Seth Godin urges you to put a Purple Cow into everything you build, and everything you do, to create something truly noticeable. It’s a manifesto for anyone who wants to help create products and services that are worth marketing in the first place.
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KEEP THE ASPIDISTRA FLYING
London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and “rather moth-eaten already,” a poet whose one small book of verse has fallen “flatter than any pancake,” Gordon has given up a “good” job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), “If you have no money … women won’t love you.” On the windowsill of Gordon’s shabby rooming-house room is a sickly but unkillable aspidistra–a plant he abhors as the banner of the sort of “mingy, lower-middle-class decency” he is fleeing in his downward flight.
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